“Light clung to the bottle and fractured into spinning shards, tracing the quiet curve of its body like an image engraved by an eye outside of time.”
A fracture in perception. A door appearing where no door should be. A descent into the liminal, the sensual, the unmaking of self.
A single flicker is enough.
A door appears – an impossibly black threshold, unreal in its stillness.
It opens onto a forbidden sanctuary
where desire, chaos, and consciousness blur into the indistinguishable.
There, the boundary between desire and loss folds, coils, collapses – until it becomes the desire for loss.
For Clément, the fall is not a danger – it is an attraction. An initiation through shadows, bodies and visions, where each step erases a little more of who he thought he was.
Eksuviya explores dissociation, mystical dread, and the peculiar tenderness of allowing the self to come undone — a psychic, sensual, and brutal descent, from which no return is promised.
“Light clung to the bottle and fractured into spinning shards, tracing the quiet curve of its body like an image engraved by an eye outside of time.”
“The black of the door was not a colour but a gravity - something pulling on him, on his thoughts, on his shadow.”
“Light spilled from his chest — not light, but something brighter than light, something that unmade every boundary.”
“He had always felt a muted need to feed a hidden pocket of shadow meant to counterbalance an excess of light.”
“The place felt like a living organism: corridors that shifted like veins, shadows that breathed, a geometry changing at every step.”